Understanding the Exposure Triangle

Share on Pinterest

In a word – “exposure” – is what photography is all about. Photography means writing with light in Greek, and exposure is the combination of three factors that determine what the light write… hence the Exposure Triangle. Those three elements are: ISO, Aperture and Shutter Speed.

exposure triangle

The ISO rating (which is an international standard) measures the image sensor’s sensitivity to light. The Aperture determines how much light enters the lens and is registered by the image sensor (or film); this is designated by the f-numbers on the lens barrel. The Shutter Speed determines the amount of time the level of light enters the lens and is registered by the image sensor; the Shutter Speed is delineated in fraction of a second increments.

The alchemical combination of these three elements results in a given subject’s exposure value (EV). What is critical to remember is that any change in any one of these elements will cause a predictable impact on the other and consequently impact the final image (i.e. by changing the Aperture, you change depth of field; by changing ISO rating, you change the amount of light required to obtain an image, and by changing the Shutter Speed, you effect how motion is captured). Such that you will never be able to independently control a given element, because you have to take into account how the other two elements will interact for the final exposure. Fortunately, the mathematics of photography just so happen to work in such a way that each element in the Exposure Triangle has a relative “stop of light” value. Such that if you increase the light by one stop by reducing the Shutter Speed, you can regain the original EV by either decreasing the Aperture by the same stop value and/or adjusting the ISO rating accordingly. With film, you couldn’t change the ISO rating for a single frame, but you can with digital cameras and that comes in more than handy.

Here’s a real world example; I’m at the beach with my girlfriend and the sun is going down, and I want to get a shot of her smiling face. I take out my camera, do a quick meter reading with the shutter set 1/60th and get a EV on her face of f/4. I set the aperture to f/4 and take my photo. I look at the image on the display screen, and while I love the way the red and purple light dances on her face, I don’t like the depth of field – I can see too much of the background (the life guard station, other people, etc.). I want as shallow a DOF as possible, which means I need to increase my aperture setting. I open the lens wide open,to f/1.4. This is a 3-stop difference, which lets in 8x as much light. To compensate, to get back to the same EV that gave me such a pleasing image, I would need to increase the shutter speed by 3-stops – so I crank it up to 1/500th. I quickly take the picture again (that sun is going down)… and viola! I have my photo with the EV that gives me that amazing quality of light AND with the shallow DOF so you can’t make out what’s behind my girlfriend.

Shutter Speed is measured in fractions of a second and it determines how fast the shutter opens and closes, thereby controlling the key element in photography – light, glorious light; specifically the time-frame in which light registers on the image sensor (or on film). The Shutter Speed captures the world in split seconds, but it can also be slowed down to a few seconds (or remain open longer at the photographer’s discretion). This enables all sorts of possibilities in determining what is actually recorded to the image sensor.

Aperture is the opening in the lens that determines the amount of focused light that reaches the image sensor. It’s measured in f-stops. The beauty of the f/stop arithmetic is that regardless of a lens’ focal length, the f/stop measures the same amount of light; such that f/4 on a 50mm lets in the same amount of light as f/4 on a 120mm. The opening’s diameter may differ, but the amount of light is the same because the length of the lens is different.

So what is correct exposure? That’s mainly subjective, but we can agree that it is when the camera effectively reproduces a subject on the image sensor (or on film) where the most uniform amount of picture information is visible in the highlights, midtones and shadows. How do you determine the specific exposure you want? All dSLRs have an EV meter in the viewfinder that provides an EV on the subject that you are metering.

An effective way of ensuring a correct exposure is to employ Exposure Bracketing. This is a technique in which you’ll be taking at least 3 exposures – one at the designated exposure value (EV), one 1/3 of an f/stop above, and one at 1/3 of an f/stop below. On some features-laden cameras, you set the ISO, f-stop and shutter to acquire an exposure value (provided by the TTL meter), and press the shutter release. The camera will automatically shoot the upper and lower bracketed exposure. When you review the bracketed exposures, you’ll be able to see subtle, but key differences in the images – most specifically if there is any over- or underexposure. Professionals bracket all the time to make sure they get the best possible negative (film or digital neg) for later.

What exactly is under- and overexposure (and the controversy surrounding Michael Jackson’s death doesn’t count)? It’s when there is excessive loss of image information within the highlights and shadows. There is typically no way of “finding” that lost image information with digital photography in particular (i.e. when the subject emits so much light that the image sensor is overwhelmed, it records that section of the image as zero; and the same thing is true when the subject emits so little light that image sensor believes there is nothing there). No matter how much tweaking you may try with a 3rd party image process, there’s no recorded information to be discovered. Incidentally, this is not always true with film and the photo-chemical process.

So how do you avoid under- or overexposing your pictures, before you master the art and craft of photography? You can use the Automatic Exposure Lock or AE Lock that’s available on most dSLRs. AE-Lock is a feature that, when you have the camera set to one of the automatic modes (i.e. Shutter-priority, Aperture-priority), it enables you to lock the EV and take continuous photos without have to resample the lighting in a given scene.

The wonderful thing about digital photography is that you can continue to experiment at no cost to you as you learn and master the three elements of the Exposure Triangle, going from semi-automatic to full manual. It takes a certain amount of practice and storing a great deal of information in your head… but master it you can, young Jedi.

Chris Derrick is a writer, photographer, screenwriter and director living and working in Los Angeles. He studied film production and screenwriting at the University of Southern California, and continued to expand his photographic knowledge through classes at the Art Center College of Design.

Share with your friends


You may also like...

11 Responses

  1. Chris says:

    Exceptionally well put, Chris. Laid out plain and simple.

    Carrying the discussion further, do you know in what proportion changes in ISO affect exposure? That is, for the same exposure at fixed ISO, double aperture = twice shutter speed. If ISO is doubled, how does that impact selection of aperture +/- shutter speed for an identical exposure?

  2. Very awesome article you have written here.. Thank you so much.. :-)

    Cheers from India,

  3. Bill Jones says:


    Thanks for your question.

    Doubling your ISO gives you twice the light or one extra shutter speed or aperture f/stop. So to maintain the same exposure after doubling your ISO you would need to either double your shutter speed or decrease your aperture one full stop.

    Hope that answers your question.

  4. Chris says:

    Bill — perfect, that helps a lot. Many thanks.

  5. Tony Waghorn says:

    We talk about it as a triangle, but has anyone produced a good visualisation that could explain what the benefits and pay-offs are of making changes (grain/detail, blur/static, depth/narrow field).

    I’ve tried, but haven’t got that far.

  6. Gday cheers for the previous post.

  7. Prashanth says:

    Awesome ..tahnks alot chris…i was searching for this from many days……………

  8. Dontrelle says:

    I think the dude is wrong. it`s all about angles,no matter what film ya got.

  9. Very says:

    Thanks a bunch for this outstanding article. I seriously like this webpage and decided that I would let you know! :D Thanks a bunch, Very

  10. Bill Dobbs says:

    Good article for explaining the fundamentals of camera controls relative to exposure. A good follow up article would explain the effects of exposure relative to lighting conditions. A discussion on light source type (diffuse, reflected, etc), incident angle, back/fore light, etc. and its effect on tonal gradation, dynamic range, colour saturation, and other photographic characteristics would explain the creative application of camera settings for photographic result.

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>